Kazuo Komizu

Two men get to know each other through their shared love of groping on the train, and fall into a bromance. They build a set that looks exactly like the train, and when they open a shop where people can come and play groper with their models inside of this set, it becomes very successful.

Set in a barren, futuristic Tokyo of highways and wastelands, a rowdy group of punk bands and their fans gather to protest slow, boring, Japanese living.

Biopic about jazz saxophonist Kaoru Abe and his wife, noted writer Izumi Suzuki.

A small gang of revolutionary students is hidden away by a small-time thief. While they are in hiding, everyone except the thief takes turns engaging in sexual activities with a girl who appears unhappy and perhaps unwilling, having had the misfortune of getting involved with them.

A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.

A man leaves his family in Tokyo to travel and engage in various sexual escapades. When he returns home he finds out that his wife is starring in Imamura’s documentary about her search for her missing husband.

After 15-year-old Yasuko has her first orgasm with a teacher, she and her disillusioned group of friends decide to turn to prostitution to gain a better understanding of what emotions truly are.

First Half: Kamasutra in three dimensions. Second Half: Report-movie-like short story.

A hitman messes up an assassination and so becomes the next target of his organization.

Biopic about jazz saxophonist Kaoru Abe and his wife, noted writer Izumi Suzuki.

Kazuhiro's second self produced offering. He himself played lead role.

Two men get to know each other through their shared love of groping on the train, and fall into a bromance. They build a set that looks exactly like the train, and when they open a shop where people can come and play groper with their models inside of this set, it becomes very successful.

Set in a barren, futuristic Tokyo of highways and wastelands, a rowdy group of punk bands and their fans gather to protest slow, boring, Japanese living.

After appearing in independent films by Matsui Yoshihiko and Ishii Sogo, Sano directed this independent film himself. Although this is his first film as a director, he has already established his own style of acting by playing the role of the main character, a young man with a lonely life and a gun in his hand. The film was selected for the Pia Film Festival in 1983 and was exhibited at the Edinburgh Film Festival, Antwerp Film Festival, and other film festivals overseas. This is the origin of Sano's hard and sad films.

A rock singer who has returned to the U.S. approaches his former musician friends with the soulful sound of reggae that he encountered during his stay in the U.S. However, his friends lost their old energy and were busy chasing only the songs that would sell, and did not pay attention to reggae. Eventually, the lonely and violent rock singer turns to mass indiscriminate murder out of repugnance to the blurred times and humanity.

Pink film from 1977

A hitman messes up an assassination and so becomes the next target of his organization.

After 15-year-old Yasuko has her first orgasm with a teacher, she and her disillusioned group of friends decide to turn to prostitution to gain a better understanding of what emotions truly are.

A small gang of revolutionary students is hidden away by a small-time thief. While they are in hiding, everyone except the thief takes turns engaging in sexual activities with a girl who appears unhappy and perhaps unwilling, having had the misfortune of getting involved with them.

First Half: Kamasutra in three dimensions. Second Half: Report-movie-like short story.

During clashes between demonstrators and police that rage on the streets of Tokyo, a young man hides in the house of his brother - a police officer. The latter is accidentally shot by his wife, which forces the young man to flee with her.

A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.

Shirō raids the office of the organization that attacked his lover, wreaking havoc and escaping with a stolen handgun. In retaliation, the organization hires two killers to get rid of Shirō. The duo begin to develop a strange kinship with their target...

Study about a young disturbed man, who rapes and kills women and collects their bodies in a cave. A work based on the case of Yoshio Kodaira, a serial rape murder case shortly after the war.

A man leaves his family in Tokyo to travel and engage in various sexual escapades. When he returns home he finds out that his wife is starring in Imamura’s documentary about her search for her missing husband.