
Can a full grown woman truly love a midget?
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Tod Browning
Director
Tod Browning
Producer
Irving Thalberg
Producer
Willis Goldbeck
Screenplay
Leon Gordon
Screenplay










































































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In a futuristic Tokyo where police have been privatized and bitter self-mutilation is so casual that advertising is often specially geared to the 'cutter' demographic, Ruka is on a mission to avenge her father's assassination. Ruka is a cop from a squad whose goal is to destroy homicidal mutant humans known as 'engineers', that possess the ability to transform any injury to a weapon in and of itself.
When his ne'er-do-well brother embezzles the commissary funds of their cavalry unit stationed in the Sudan, a British soldier takes the blame for him. He winds up deserting his post and joining up with a traveling vaudeville troupe. He falls in love with a pretty young woman in one of the show's acts but finds that a local Arab sheik has his own plans for the young girl.
A murder opens up a bleak trail of long buried secrets and small town corruption for a worn out police detective and his squad.
A policeman on the skids faces another tragedy when his daughter dies. When other police in his unit are being murdered, the viewer must decide which one of the suspects is responsible.
A young man becomes obsessed with his new neighbour.
Five young people apply to live in an isolated house together for six months whilst their every move is filmed by numerous cameras.
Mary Henry ends up the sole survivor of a fatal car accident through mysterious circumstances. Trying to put the incident behind her, she moves to Utah and takes a job as a church organist. But her fresh start is interrupted by visions of a fiendish man. As the visions begin to occur more frequently, Mary finds herself drawn to the deserted carnival on the outskirts of town. The strangely alluring carnival may hold the secret to her tragic past.
Three couples and a lonely friend visit an isolated escape room in the middle of the desert run by a mysterious Ukrainian performance artist.
An aristocratic girl volunteers with the Red Crescent, where she meets a young doctor. They fall in love and agree to marry, but cruelty of fate forces the girl to marry a rich sheikh. Life becomes difficult for her, so she agrees to commit suicide. But her mother pushes her back when she reveals to her the dangerous secret that the young doctor is not... Except for her brother.
As Rabab escapes from the cruelty of his stepmother and stays with an actress, she meets the young man, Ihsan, who tries to assault her inside his car, which overturns and dies. With his father’s attempt to take revenge on Rabab, she decides to flee again to Cairo to work as a teacher there under the name (Najwa). Then she met a colleague of hers and married him.
Both Rushdie and Ramzia work in the field of social activism, and they try to help Wafayah, Ramzia's sister, who is engaged to a traitorous man. They spread a rumor that Wafayah is suffering from tuberculosis, causing the marriage project to fail. Then Rushdie and Ramzia agree that the husband will play the role of lover for (Wafia) in order to comfort her. Will the plan succeed, or will the representation become reality?