Tatsuo Matsumura

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Furuhata Ninzaburō is a Japanese television series that ran periodically on Fuji Television from 1994 until its final episodes in 2006. It was written by Japanese playwright Kōki Mitani and is often referred to as the Japanese version of Columbo. The series is a police detective drama starring actor Masakazu Tamura as Furuhata Ninzaburo and Masahiko Nishimura as his stereotypically bumbling sidekick, Shintaro Imaizumi. The program aired weekly and featured a guest villain each time, usually a famous talent in Japan. Pop-stars like SMAP, television hosts like Sanma Akashiya and even sports figures like Ichiro Suzuki have been featured on this program. It was one of the most popular television dramas in the history of Japanese television, having spawned several seasons and TV specials.

The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.

When an underhanded pharmaceutical company goes to a remote tropical island to steal King Kong for advertising purposes, they get more than they bargained for when the gigantic ape attacks an unsuspecting village and an enormous octopus.

The mother of a feudal lord's only heir is kidnapped by the lord. Her husband and his samurai father must decide whether to accept the unjust decision, or risk death to rescue her.

On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.

The life of a toilet-seller during the Japanese Economic Miracle.

Four fishermen friends are caught up in a piracy plot.

A shooting incident occurs at the Asahina family gambling hall in Tokyo's Joto district. It is the work of Gaijin boss Brown and his henchman Yamaoka, whose territory is in the Jonan district, in response to Kikuya, the head of the Asahina family, refusing to join the Syndicate. Yamaoka relentlessly pursues the Asahina family and uses his brother Komatsu to kill Shibaki, Kikuya's brother, who owns Nagoya territory. When Kikuya receives information that a general meeting of the Brown and Yamaoka Syndicate is to be held in Nagoya, he is determined to root out the syndicate and rushes to Nagoya, ready to die...

Takayuki is an elementary school teacher in Tokyo. He is seized with Behçet's syndrome, and will gradually lose his sight. He resigns from his job and leaves his girlfriend, Yoko (Yuriko Ishida) to return to his hometown, Nagasaki, where his mother lives. Takayuki spends his days strolling around Nagasaki, to imprint familiar scenes on his memory. Yoko visits him and insists on staying. Takayuki has major concerns for her future, and his own life. He drives her away, for her own good. After days of affliction, the two reunite. The story leads to an emotive conclusion, the end of his spiritual journey.

After serving a jail sentence, a former leading yakuza (Takaaki Ishibashi) has gone straight. He has married and is now holding a regular job. However, he is continually harrassed by a police inspector who cannot forgive his past. Meanwhile a major gang war erupts. With his former gang in danger of being exterminated, will his loyalties draw him back in?

An appassionato art student and a dispassionate college girl make a vow, saying they would meet each other again in the Florence Cathedral after 10 years.

Screen icon Sayuri Yoshinaga stars in this historical melodrama about geishas in the southern city of Nagasaki set during the 1920s. Though she was sold to a geisha house at a young age, Aihara (Yoshinaga) has since become a master samisen player and woman of great elegance. Though not especially rich, she doles out money to street kids, in particular, a pretty young flower vendor named Oyuki, who becomes Aihara's godchild of sorts. Yet when a geisha (Reiko Takashima) from a rival red-light district insults Aihara and her brethren, she fights back. Soon an all-out geisha war looms. Dapper businessman and amateur scholar Tojiro Koga (Tetsuya Watari) appears on the scene and defuses tempers -- suggesting that difference be settled through a competition of artistic abilities. Smitten with her talent and mature beauty, Koga invites Aihara to record Nagasaki folk songs before they disappear forever

A group of travelers is stranded in a small country inn when the river floods during heavy rains. As the bad weather continues, tensions rise amongst the trapped travelers.

Fourteen-year old student Ayumi has leukemia and starts losing hair. She becomes depressed but receives overwhelming support from her classmates when they all shave their heads for her.

Hatano is living as an insomniac freelance typesetter alone in his bayside apartment. One day, Aikawa, a high school classmate he hasn’t seen in over ten years, shows up on his doorstep bearing a bag of clams. Though he claims to be the director of a fast-growing trading company, Aikawa crashes on Hatano’s couch for days on end. When the sleeping pills he was offered produce a strange side effect, Hatano is slowly dragged into Aikawa’s con-artist lifestyle. Soon afterward, they cross paths with the representative of a big-name publishing company and Aikawa’s ultimate scam begins to unfold.

Traveling chef Ryuji is called back to Tokyo to help save his late teacher’s restaurant. With the help of his close friend Kinu, Ryuji must complete the training of Wataru — the apprentice chosen by his late teacher to become the next master chef — in the art of culinary excellence and running a successful business.

A political satire comedy depicting the turmoil caused when the residents of a small island in Okinawa, feeling neglected by the Japanese government's response, declare independence.

Hiroshima is a 1995 Japanese / Canadian film directed by Koreyoshi Kurahara and Roger Spottiswoode about the decision-making processes that led to the dropping of the atomic bombs by the United States on the Japanese cities of Hiroshima and Nagasaki toward the end of World War II. Except as actors, no Americans took part in the production. The three-hour film was made for television and evidently had no theatrical release, but is available on DVD for home viewing. A combination of dramatisation, historical footage, and eyewitness interviews, the film alternates between documentary footage and the dramatic recreations. Both the dramatisations and most of the original footage are presented as sepia-toned images, serving to blur the distinction between them. The languages are English and Japanese, with subtitles, and the actors are largely Canadian and Japanese.

Kon Ichikawa's retelling of the classic true story of Samurai honor. When a young clan lord is forced to commit seppuku (ritual suicide), his loyal followers (now Ronin, masterless Samurai) dedicate their lives to avenging his death.

A close look at the inner workings of Japan's political underbelly.

In postwar Tokyo, beloved writer-professor Hyakken Uchida retires and is buoyed through hardship by the fierce devotion of his former students, who honor him each year with a raucous “Not yet!” birthday toast. Told in warm, gently comic vignettes, Kurosawa’s farewell celebrates aging, friendship, and the sustaining ritual of teacher and pupils refusing to say goodbye.

In the 16th Year of Keityo (1611), the lord of Ogura Castle in Kyushu admitted Sasaki Kojiro's because of his great sword techniques. However, a group within the feudal clan which supported to use guns considered Kojiro an obstacle in their goals and has the well-known ronin, Miyamoto Musashi, fight him. Now because of political gain and greed, two honorable men are to fight to the death on Ganryu Island.

Tetsuo is a young man living in Tokyo, who falls in love with a deaf-mute factory girl. He has always felt jealous of his college-educated brother, but ultimately wins both the girl and his father's acceptance and support in a touching and refreshing way.

An auto repairman's daughter questions him about what happened to her aunt during the war, but the father remains reticent. Finally the man opens up, and the girl is able to piece together her aunt's tragic story.

This is James Miki's first directorial work, and he is also the original writer and scriptwriter. Noritaka Sakamoto was in charge of photography, and Kentaro Haneda was in charge of music direction. It depicts how an honest candidate aiming for a clean election campaign gradually collapses in the face of various realities. Kiyokawa, the mayor of Higurashi City, died at his lover's house. Yoshihiko announces that he will conduct a clean election campaign, but his sponsors and backers are reluctant.

A playboy-gambler friend of Tora-san’s dies and, abandoned by his mother, his little boy suddenly turns up in Shibamata. Searching for the boy’s mother, Tora-san meets a cosmetics saleslady and the three become a surrogate family, with Tora-san as “daddy”.

The story of a teacher who comes to a village on the Inland Sea and the relationship that develops between her and her 12 pupils.

In Nagasaki, Tora-san and an acquaintance help an old woman who has fallen and injured herself. She invites them to her home where the three share a night of eating and drinking. The old woman's health deteriorates and she dies. At her funeral, Tora-san falls in love with the old woman's daughter, but winds up acting as a go-between for her and a young law student.

Rock 'n' roll superstar Eikichi Yazawa plays a substitute high school biology teacher whose clumsy social skills steadily mature as he helps his students struggle to balance work, school and extracurricular activities. The result is a heartwarming drama of the mentoring role of teachers during the difficult transition to adulthood.

Furuhata Ninzaburō is a Japanese television series that ran periodically on Fuji Television from 1994 until its final episodes in 2006. It was written by Japanese playwright Kōki Mitani and is often referred to as the Japanese version of Columbo. The series is a police detective drama starring actor Masakazu Tamura as Furuhata Ninzaburo and Masahiko Nishimura as his stereotypically bumbling sidekick, Shintaro Imaizumi. The program aired weekly and featured a guest villain each time, usually a famous talent in Japan. Pop-stars like SMAP, television hosts like Sanma Akashiya and even sports figures like Ichiro Suzuki have been featured on this program. It was one of the most popular television dramas in the history of Japanese television, having spawned several seasons and TV specials.

Police officer Ohno Makoto discovers a lady covered in blood at Shinobazu Pond in Ueno. Feeling sorry for her, he gives her the temporary name "Koike Shinobu" and lets her live at the tofu shop run by his parents. Even though she has not regained her memory, Makoto is gradually drawn to Shinobu's brave personality. At that time, a mysterious man named Yamane began to appear around Shinobu. Yamane is actually a detective who is pursuing the culprit of a murder that occurred in Nagano. The victim was Shinobu's father, and Shinobu's stepmother has already been arrested, but Yamane is convinced that Shinobu is the real culprit and targets her. Makoto takes Shinobu on a journey to find the real culprit.