Known For
Easily bored, but still innocent and naive countryside girl discovers partying in Tokyo is a ton of fun. Yakuza-to-be is an acquaintance who tries to rape her, and the typically bland but very-good-here the first boyfriend.
Amidst the 1960 Japanese-American mutual security treaty, alienated young nihilist Takuya struggles to find his footing between his do-nothing wealth and the outer Western extremism as major student protests take place.
Shuji Terayama starts a poem, and then ships his pencil to Herbie Yamaguchi in the UK. Herbie ships the pencil back to Terayama, who then finishes his poem.
The documentary to find the "true Shuji Terayama".
Shûji Terayama's commercial for the Japanese Racing Association.
This remarkable compilation follows an exchange of video letters that took place between Shuji Terayama and Shuntaro Tanikawa in the months immediately preceding Terayama's death. It can be thought of as a home video produced by two preeminent poets and inter-laid with highly abstract philosophizing, slightly aberrant behavior and occasionally flamboyant visuals.
#47 functions as a quick analysis on the life of Shuji Terayama. This is the beginning, middle and restart on the life of a man who refused to die - "The past can always be rearranged."
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Movie Credits (8)
The documentary to find the "true Shuji Terayama".
This remarkable compilation follows an exchange of video letters that took place between Shuji Terayama and Shuntaro Tanikawa in the months immediately preceding Terayama's death. It can be thought of as a home video produced by two preeminent poets and inter-laid with highly abstract philosophizing, slightly aberrant behavior and occasionally flamboyant visuals.
Shuji Terayama starts a poem, and then ships his pencil to Herbie Yamaguchi in the UK. Herbie ships the pencil back to Terayama, who then finishes his poem.
Shûji Terayama's commercial for the Japanese Racing Association.
Easily bored, but still innocent and naive countryside girl discovers partying in Tokyo is a ton of fun. Yakuza-to-be is an acquaintance who tries to rape her, and the typically bland but very-good-here the first boyfriend.
Amidst the 1960 Japanese-American mutual security treaty, alienated young nihilist Takuya struggles to find his footing between his do-nothing wealth and the outer Western extremism as major student protests take place.
#47 functions as a quick analysis on the life of Shuji Terayama. This is the beginning, middle and restart on the life of a man who refused to die - "The past can always be rearranged."
