Lilia Prado

A circus fakir performs a crucifixion act to earn enough money to secure a home for his mother. As the spectacle intensifies, the boundary between devotion, showmanship, and danger begins to blur.

The two largest ranches in a small town are operated entirely by women, because their menfolk have all emigrated. Seceral of the younger women have boyfriend troubles, and all the women band together to vote their own representative into City Hall as Mayor.

Produced on a grand scale, the Mexican Talpa relates the simple story of two brothers. The older of the siblings, Tanilo (Victor Manuel Mendoza) is a well-to-do family man; the other, Estaban (Jamie Fernandez), is one step above a wastrel. When Tanilo is felled by illness, Estaban is forced to take over the family's blacksmith business. He also inaugurates a romance with Tanilo's attractive young wife Juana (Lilia Prado). Punishment is eventually doled out in a manner which suggests that God Himself is exacting retribution on the adulterous couple. Originally released at 87 minutes, Talpa was pared down to 73 minutes for American consumption.

Solovino is called like that because no one knows where he came from. He is a miserable province man trying to improve his life, but sees himself forced to steal to survive. When he comes up with a large jewelry bounty a pair of cops offer him his freedom in exchange of the bounty and becomes the target of the police harassment.

Venusita falls in love with the son of a wealthy family whose mother sends her son off to the United States in order to keep the two apart. Not to be rejected so easily, Venusita visits Saurina the sorceress who comes up with a spell that kills off the merchant and zaps the son back home, but Venusita's problems are far from over.

The family of a dying man celebrates his wake while the man is still alive, showing their darker, selfish ambitions and trying to take the best part of the inheritance.

The film is a typical whodunit story, combined with a "ranchero" and western flavor. A young engineer arrives to his godfather hacienda, along with his fiancée. But the things got complicated when the godfather's wife reveals that she had an affair with the young man. One night, the young man's father is murdered in the wood, and he will look for revenge.

Set in 1934, and meant to dramatize social injustices, this melodrama examines an official's attempt at land reform. The landowners are against any reform and are also not interested in ending the exploitation of their workers. On the opposite side of the fence, the Native Americans have almost no way to better their living conditions or to fight oppression. They are also plagued by "superstition," which leads to some misguided actions that only make things worse. Violence and sexual encounters are interspersed throughout the story.

A small rural town projects all of their real and perceived sins and transgressions on the town's "sexy" girl.

Gold-digger conspires with gal-pal to snag herself a rich husband.

A horse breeder needs to acquire his rival's horse at the same time protecting his three beautiful daughters from marrying three musicians who work for his rival.

After winning a bet, Lalo goes on vacation with his two daughters and his best friend, they will try to keep Lalo's daughters away from perverted boys.

Five friends decide to go to Las Vegas to get money and one of them thinks of robbing a casino.

The two largest ranches in a small town are operated entirely by women, because their menfolk have all emigrated. Seceral of the younger women have boyfriend troubles, and all the women band together to vote their own representative into City Hall as Mayor.

Venusita falls in love with the son of a wealthy family whose mother sends her son off to the United States in order to keep the two apart. Not to be rejected so easily, Venusita visits Saurina the sorceress who comes up with a spell that kills off the merchant and zaps the son back home, but Venusita's problems are far from over.

Farm's not producing, and a rural family feel like they've exhausted their options, so they move to Mexico City.

Middle-aged couple's adult children decide to emigrate to USA. Third movie in trilogy.

Set in 1934, and meant to dramatize social injustices, this melodrama examines an official's attempt at land reform. The landowners are against any reform and are also not interested in ending the exploitation of their workers. On the opposite side of the fence, the Native Americans have almost no way to better their living conditions or to fight oppression. They are also plagued by "superstition," which leads to some misguided actions that only make things worse. Violence and sexual encounters are interspersed throughout the story.

Evil guy gratifies his ambitions and desires at any cost, and he prospers nicely. Until he doesn't.

Solovino is called like that because no one knows where he came from. He is a miserable province man trying to improve his life, but sees himself forced to steal to survive. When he comes up with a large jewelry bounty a pair of cops offer him his freedom in exchange of the bounty and becomes the target of the police harassment.

Young Raúl looks for his ex-girlfriend Alicia to resume their relationship, but she responds that she doesn't love him anymore. The young woman lives with her godfather Marcial in a hotel he owns.

Boy is traumatized from watching his sex-worker mother with her clients; he grows up with a particular grudge against that one guy that used to come to see her...

Two street gangs vie for primacy, which will give them control of drug smuggling and stolen jewelry.

Weaselly bad guy wants to get in good with a woman he's hot for, so he frames the hero for a murder and then organizes a lynch mob against him... all to further her plans.

A circus fakir performs a crucifixion act to earn enough money to secure a home for his mother. As the spectacle intensifies, the boundary between devotion, showmanship, and danger begins to blur.