Jérôme Seydoux

Every day live on FRANCE 5, Anne-Élisabeth Lemoine and her team receive those who make the news. In the second part, the program welcomes, around a meal prepared by a qualified chef, artists in promotion.

Jean-Pierre Costa is a football manager upon whom fate appears not to be smiling. First, a friend, Annabelle, dumps a pet Labrador named Didier on him whilst she goes off to make a report in Los Angeles. Next, one of his star players is injured, leaving him one player short for a crucial match. As if things could not get any worse, Costa wakes up one morning to find that that Didier has been transformed into a man...

During the elimination of the Belgian/French border in the 90s, a Belgian customs officer is forced to team up with one of his French counterparts.

Sacha is a real seducer, a man with no ties or emotional or professional. Charlotte is a modern and independent woman, but barely has time to care for their three children. While Sacha and Charlotte are, at first glance, two incompatible beings, when they meet soon discover that they are quite complementary and need each other.

The behind-the-scenes story of French television… This documentary unveils the lesser-known history of two audiovisual decades that have shaped today's television. To explain from the break up of the French broadcasting service ORTF, in 1974, to the creation of Arte, via the birth of Canal+, the life and death of La Cinq and the privatization of TF1 — the succession of political, economic and cultural decisions that have shaped what is known as the “PAF” (French Audiovisual Landscape).

Two intertwined families who have made half a century of cinema. La Grande Bouffe, We won’t grow old together, Tchao Pantin, Apocalypse Now, Bienvenue Chez les Ch’tis, The Artist. At the center of this family, an unknown to the general public: Paul Rassam. His brother and his brother-in-law are more famous: the sulphurous Jean-Pierre Rassam and Claude Berri. It is a story peppered with drama, and today, a new generation has taken over. Thomas Langmann – son of Claude Berri – and Dimitri Rassam, son of Carole Bouquet and Jean-Pierre Rassam.

Two intertwined families who have made half a century of cinema. La Grande Bouffe, We won’t grow old together, Tchao Pantin, Apocalypse Now, Bienvenue Chez les Ch’tis, The Artist. At the center of this family, an unknown to the general public: Paul Rassam. His brother and his brother-in-law are more famous: the sulphurous Jean-Pierre Rassam and Claude Berri. It is a story peppered with drama, and today, a new generation has taken over. Thomas Langmann – son of Claude Berri – and Dimitri Rassam, son of Carole Bouquet and Jean-Pierre Rassam.

Sacha is a real seducer, a man with no ties or emotional or professional. Charlotte is a modern and independent woman, but barely has time to care for their three children. While Sacha and Charlotte are, at first glance, two incompatible beings, when they meet soon discover that they are quite complementary and need each other.

During the elimination of the Belgian/French border in the 90s, a Belgian customs officer is forced to team up with one of his French counterparts.

Jean-Pierre Costa is a football manager upon whom fate appears not to be smiling. First, a friend, Annabelle, dumps a pet Labrador named Didier on him whilst she goes off to make a report in Los Angeles. Next, one of his star players is injured, leaving him one player short for a crucial match. As if things could not get any worse, Costa wakes up one morning to find that that Didier has been transformed into a man...

Every day live on FRANCE 5, Anne-Élisabeth Lemoine and her team receive those who make the news. In the second part, the program welcomes, around a meal prepared by a qualified chef, artists in promotion.

The behind-the-scenes story of French television… This documentary unveils the lesser-known history of two audiovisual decades that have shaped today's television. To explain from the break up of the French broadcasting service ORTF, in 1974, to the creation of Arte, via the birth of Canal+, the life and death of La Cinq and the privatization of TF1 — the succession of political, economic and cultural decisions that have shaped what is known as the “PAF” (French Audiovisual Landscape).